This exhibit features new works from boundary-defying artists who adopt methods from anthropology, theater, and linguisitcs at three venues from West LA to Midcity.
Referencing the title of a genre-bending collection of stories by Jorge Luis Borges, A Universal History of Infamy uses multiple venues across Los Angeles, including the LACMA campus, to present new works by more than 15 boundary-defying artists and collectives. Developed for the most part through residencies, the works represent artists who live and practice in several countries; adopt methods from disciplines such as anthropology, theater, and linguistics; mingle research with visual art; and work across a range of media, from installation and sculpture to performance and video. A Universal History of Infamy embraces the collaborative spirit of Pacific Standard Time: LA/LA, bringing together one of the largest partners, LACMA, with one of the smallest, the 18th Street Arts Center in Santa Monica, which organized the residencies.
This exhibit features new works from boundary-defying artists who adopt methods from anthropology, theater, and linguisitcs at three venues from West LA to Midcity.
Referencing the title of a genre-bending collection of stories by Jorge Luis Borges, A Universal History of Infamy uses multiple venues across Los Angeles, including the LACMA campus, to present new works by more than 15 boundary-defying artists and collectives. Developed for the most part through residencies, the works represent artists who live and practice in several countries; adopt methods from disciplines such as anthropology, theater, and linguistics; mingle research with visual art; and work across a range of media, from installation and sculpture to performance and video. A Universal History of Infamy embraces the collaborative spirit of Pacific Standard Time: LA/LA, bringing together one of the largest partners, LACMA, with one of the smallest, the 18th Street Arts Center in Santa Monica, which organized the residencies.
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